Ori Marani, Georgia

Nino Gvantseladze, General Manager of the Ori Marani winery, Georgia. Click to expand. Picture copyright Campbell Mattinson.

The thing about elegance is that it allows you to stop and it allows you to breathe. In that sense elegance is an enabler. This thought came to me at a stand-up tasting in Tbilisi in Georgia recently, where fifteen or maybe twenty producers had a set of wines there for us to taste. I was probably twenty wines into this tasting when I stepped to the table of Ori Marani. I’ve never tasted a wine of this producer before. The first wine was called Ori Marani Canon du Coach Olympique 2024. It’s a sparkling wine made by Ori Marani’s winemaker, Bastien Warskotte, with Chinuri, Goruli Mtsavne and Shavkapito grapes. The first words of my short note were: elegance has entered the building.

It was only then that I realised that elegance had been hitherto absent. Bastien Warskotte is originally from Champagne. He makes wine in Georgia because it’s the home of wine and also because Georgia is the homeland of his partner, Nino Gvantseladze (pictured). Nino is Ori Marani’s General Manager. The other words I wrote about the Canon du Coach were: Pure, dry, tannic, intense and elegant. Savoury quaffability. It’s not going to change your life but it is a ripper drink.

I only tasted three Ori Marani wines but every one of them was a hit. They are made using traditional Georgian techniques but, perhaps, with a Champagne sensibility. I particularly liked the Exile on Caucasus 2023, matured in both qvevri and old oak and made with the (white) rkatsiteli grape. The 2022 of this is available in Australia so you’d imagine that this 2023 will follow. Nino described this wine as “entry level” but it presents as classier than that. Again it’s elegant. This wine gets the mix of chalk, fruit, savouriness, juice and texture so very right and does it so very well. It’s a meaty white, with fruit, with energy.

The wine that really pulled the Ori Marani room together for me though was called, I think, Demain c'edt Loin Shavkapoti 2023. I say I think because finding details on these wines is difficult (bottle below). Shavkapoti is the key word here, as it’s the grape variety. My notes say 12% alcohol, super fresh, super drinkable, frisky red, cherries with a keen savoury/spicy edge. Not stemmy. A wine for drinking not thinking in a way but so very distinctive, not to mention more-ish. The red wines of Georgia can be inky and intense but this is more lightness and verve.

ori marani Shavkapoti
Campbell Mattinson

This post was written by Campbell Mattinson. Mattinson is a former chief editor of the Halliday Wine Companion book, former editor of Halliday magazine, former editor of Australian Sommelier Magazine and founder of The Winefront business. He is the author of five books on wine – four of which were bestsellers (The Wine Hunter, the Big Red Wine Book 2008, the Big Red Wine Book 2009, and the Big Red Wine Book 2010).

Mattinson is also the founder of the Mattinson Photography business.

Campbell Mattinson has been an independent journalist, wine critic and photographer for forty years. He’s the only Australian to have won the Australian Wine Communicator of the Year Award more than once. He’s a past winner of a Louis Roederer International Wine Media Award; is the author of the award-winning book The Wine Hunter; and is the author of the best-selling novel We Were Not Men. He’s also a winner of a St Kilda Film Festival Award (as writer-director) and is a former winner of the national Best Australian Sports Writing Award. In 2026 three of his photographs were short-listed for the World Food Photography Awards.

Campbell Mattinson, who is 100% independent, has tasted between 5000 and 10,000 wines each and every year for the past 25 years. He tastes blind, in comparative brackets, as often as is practicable.

Campbell Mattinson is a journalist, a photographer, a filmmaker and a wine critic. In all of these mediums his prime motive is to tell people's stories.

https://www.campbellmattinson.com
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