Wangaratta Railway Station, 9am, Summer

Wangaratta Railway Station. Copyright Campbell Mattinson.

On the first day of my photographic journey I set out in Wangaratta – in north-east Victoria – with a Canon EOS 20D and just simply took pictures of anything that moved or, preferably, stopped while I took a picture of it, and then got back to moving. It was hot, and it had been hot for weeks; it was mid February in a hot Wangaratta summer. I stopped on the walk-over at Wangaratta Railway Station and waited for a train to come in, and then took a handful of pics of the train at the station. I looked at these pictures after and was hooked. It’s a simple image of a train stopped at a station. There’s dirt. There’s grass. There’s light and there’s colour. There’s people, going somewhere. Trains are travel but they are also a metaphor for journeys taken, and journeys missed, and journeys imagined. I’ve taken 100,000s of images since but I always pull myself back to this photograph, because it’s a station in my mind, from which I set off on a photographic journey that has enriched me no end.

Campbell Mattinson

This article was written by Campbell Mattinson, former chief editor of the Halliday Wine Companion book, former editor of Halliday magazine, former editor of Australian Sommelier Magazine and founder of the highly respected The Winefront site.

Mattinson has been a respected wine critic and photo-journalist since 1987. He’s the only Australian to have won the Australian Wine Communicator of the Year Award more than once. He’s a past winner of a Louis Roederer International Wine Media Award; is the author of the award-winning book The Wine Hunter; and is the author of the best-selling novel We Were Not Men. He’s also a winner of a St Kilda Film Festival Award (as writer-director) and is a former winner of the prized Best Australian Sports Writing Award.

Mattinson puts a score out of 100 on every wine that he reviews. But what he’d rather do, is tell you the wine’s story.

https://www.campbellmattinson.com
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