Bindi

Bindi is a Mattinson 10-Star Winery.
Only the best of Australia’s best wineries are ranked as a Mattinson 10-Star Winery.

When you stand at the front door of the winery at Bindi, the main or original vineyard is there in front of you, sloping downwards. That’s the magic, that’s the drama, that in effect is the making of the legend. But if you turn to your left, and walk across the open grassed fields, and explore the Bindi property away from that glorious vineyard, you see a side of Bindi that is both its hinterland and its soul. Bindi is more than a vineyard, it is a place. The property is 170 hectares in size but is planted with but seven hectares of vines. It’s indigenous grassland. It’s bushland. It’s stands of thick-planted blue gums. Winemaker and custodian of the Bindi property Michael Dhillon could barely be more obsessed or involved or intimate with the vines he grows. But watching him walk the non-vine areas of the Bindi property is like watching a dog run out onto a beach. He’s alive to the bigness of it, the beauty of it, and the detail of it. This rapture for the place of Bindi grows itself straight into the wines.

If you moved Bindi 100 metres, I once wrote, to the left or to the right, geographically, the wines would taste different, or at least that’s the impression the wines create. I probably should have said fifty metres, or five. The soils are cut with quartz, the vines are grown organically, the sections are deliberate, the climate is cold. We’re at Gisborne, in the Macedon Region, at 500 metres above sea level, where in winter the rocks feel like ice. Every vine at Bindi is important, none more so than the Original pinot noir vineyard and the Quartz vineyard, both of which were planted nearly forty years ago (1988). But there are important ‘new’ plantings too of pinot noir, called Block 8 and Darshan, both of which blocks are now over a decade old, both of which are planted at a density of 11,300 vines per hectare, and both of which grow spectacular wine. The Darshan vineyard incudes a patch planted at 22,000 vines per hectare. Nothing here is done fast, without deep thought, or by halves.

If you were looking for the quickest route to winemaking victory, whatever that might look like, you’d never take Bindi as your model. If you were looking to build en enduring masterpiece of wine growing, wine nurturing and wine business, then you’re best advised to ask yourself, every day of every decade: what would Bindi do? Bindi is greatness for the long haul. It’s Pinot Noir and Chardonnay of perspective and vision. It’s big pictures in tiny movements. It’s what elite looks like.

Bindi is the Bindi property. It is all Chardonnay and Pinot Noir, sectioned into blocks. There are also wines made by Bindi from non-estate grapes, which include shiraz. The estate wines go without saying, as a rule. The non-estate wines are always worth investigating, and never let the Bindi name down.

There are 51 Bindi wine reviews on The Winefront site 2004-2024.

Campbell Mattinson

This post was written by Campbell Mattinson. Mattinson is a former chief editor of the Halliday Wine Companion book, former editor of Halliday magazine, former editor of Australian Sommelier Magazine and founder of The Winefront business. He is the author of five books on wine – four of which were bestsellers (The Wine Hunter, the Big Red Wine Book 2008, the Big Red Wine Book 2009, and the Big Red Wine Book 2010).

Mattinson is also the founder of the Mattinson Photography business.

Campbell Mattinson has been an independent journalist, wine critic and photographer for forty years. He’s the only Australian to have won the Australian Wine Communicator of the Year Award more than once. He’s a past winner of a Louis Roederer International Wine Media Award; is the author of the award-winning book The Wine Hunter; and is the author of the best-selling novel We Were Not Men. He’s also a winner of a St Kilda Film Festival Award (as writer-director) and is a former winner of the national Best Australian Sports Writing Award. In 2026 three of his photographs were short-listed for the World Food Photography Awards.

Campbell Mattinson, who is 100% independent, has tasted between 5000 and 10,000 wines each and every year for the past 25 years. He tastes blind, in comparative brackets, as often as is practicable.

Campbell Mattinson is a journalist, a photographer, a filmmaker and a wine critic. In all of these mediums his prime motive is to tell people's stories.

https://www.campbellmattinson.com
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